Kunstquartier Bethanien, Studio 1

Monday 11.11., 12:30 Uhr – Videodokumentation

Tafelmusik – Lunchtime music with snacks

Ensemble JungeMusik Berlin

The picture shows the ensemble JungeMusik on stage.
© André Fischer

Program

  • Xuan Yao
    kommst du zu meiner Beerdigung.WP(2024)
    for oboe solo
    Commissioned by Klangwerkstatt Berlin
  • Thomas Gerwin
    Soundscape Nr. 17(2020)
    Musical encounter for 3 players ad libitum
    Version for flute, clarinet and violin
  • Ralf Hoyer
    TrioTrio(2018)
    a variable performance for three variable instruments
    Version for flute, clarinet and cello
  • Friedrich Goldmann
    3 Strophen(2001)
    for clarinet and violin
    Commissioned by Ensemble JungeMusik Berlin 2001
  • +++ Lunchtime snack +++
  • Katarzyna Kwiecień-Długosz
    Mazurek(2005)
    for violin, cello and piano

Ensemble JungeMusik Berlin

Erik Drescher – flute | Cornelius Finke – oboe | Matthias Badczong – clarinet | Kateryna Vashchenko – violin | Lillia Keyes – cello | Nadezda Tseluykina – piano

Artistic director: Helmut Zapf
Our cook: Erik Drescher


Musicians invite you to the table! A fine-sounding and delicious experience for the lunch break. With five lunchtime concerts, the Ensemble JungeMusik offers a break from hectic everyday life and a space to be all ears for new types of listening to music and engaging in conversation with the artists. The flutist Erik Drescher cooks for us.

The focus is on five specially composed oboe miniatures, which recure as a theme through the week. Daily oboe solos can be heard from Xuan Yao, Bernd Lauber, Irina Emeliantseva, Kaspar Querfurth and Aigerim Seilova.



Xuan Yao: kommst du zu meiner Beerdigung. (2024)
The endurance of relationships beyond death and persistence despite the finitude of life.
Xuan Yao

Thomas Gerwin: Soundscape Nr. 17 (2020)
Sounds are living beings. They are born, spend a certain time in specific places, and then die. They love to come together to form social organisms.
Thomas Gerwin

Ralf Hoyer: TrioTrio (2018)
TrioTrio is a 3-part composition for different instrumentations that allows the interpreters a large degree of improvisational freedom – while simultaneously demanding instrument-specific, individual interpretation.

There is no score. Each instrumentalist plays from an individual part and should consider it as a solo part. Nevertheless, listening to one another remains an indispensable foundation for a successful performance of the work.

The coordination of the players is accomplished with the help of three simultaneously started stopwatches according to the time indications in the notes.

The three largely identical parts begin canonically, converge in the middle, and separate again towards the end.

Each part must be individually developed from the given tonal material and verbal playing instructions.

There are three tonal ranges: high / middle / low – in this performance represented by flute / clarinet / cello. Yet before the performance begins, another decision must be made: which instrument starts first, second, and third?

From these combinations, new playing variations continually emerge. The ending is open.
Ralf Hoyer

Friedrich Goldmann: 3 Strophen (2001)
3 Strophen (3 Stanzas) for violin and clarinet was created in 2001 on commission from the Ensemble JungeMusik Berlin and was performed the same year at the Klangwerkstatt Berlin. Friedrich Goldmann (1941-2009) was one of the most important composers of the GDR, who continued to have a great influence on the younger generation after reunification. From 1991 to 2006, he taught composition at the Berlin University of the Arts. Since the beginning of the festival in 1990, his works have frequently been performed at the Klangwerkstatt Berlin, not least by the Ensemble JungeMusik, which Helmut Zapf founded in 1993 and which has regularly performed at the Klangwerkstatt since 1995.

Katarzyna Kwiecień-Długosz: Mazurek (2005)
Mazurek (Mazurka) was composed in 2005 for young musicians (students of Polish music schools), inspired by the rhythms of the stylized Polish dance.
Katarzyna Kwiecień-Długosz